Friday, November 25, 2011

Home



Home

Take all the things that you are not,
The lies, the promises, the lot.
The crashed attempts at symmetry,
The endless drives of infancy.

Then open wide a silver box
With worn out hinges and broken locks,
And throw your turpitude inside.
The silver walls will that abide.

Strap this silver box of lies
Onto your back with cotton ties,
And out into the calm blue sea
Take the box and swim with me.

We’ll swim until the shore’s no more.
We’ll swim until our souls are sore.
Further than the furthest wall.
Further than a mother’s call.

 And in the centre of this deep,
Where hazy clouds in circles sweep,
You’ll tear the box off soaking ropes,
The box of all your lowest hopes.

Without a grain of any care,
You’ll throw the silver in the air.
It’ll splash into the blue,
And all that shall be left is you.

We’ll swim back to the untouched sands
Of our ancient, true homelands.
We’ll lie down in the growing shade,
And watch a yellowed sun fade.

Feo P-S.
November 23, 2011


New Zealand and Penguins

NO WAAAAAAAY! YOU'RE CRAAAAAAAAZY!

  Knitters of the world! Lay down your needles and hear me out! Your 16 year old grandson does not want a poo-brown sweater with a puppy on it! I wouldn't mind that, but what he wants is a pair of fingerless gloves. Actually, I want a pair of fingerless gloves, too. I guess we both want fingerless gloves. It's the trend now, you see.
  Oh yes, I was saying. Knitters of the world! The whole wide wonderful world! Penguins need your assistance! Not the the hockey team, no. The small and smelly flightless bird! They need assistance immediately.
  Back in October, a Liberian oil tanker hit a reef off the coast of New Zealand. The resulting heavy oil spillage has already killed an estimated 1000 sea birds. So New Zealand-based yarn store Skeinz has asked the knitters of the world to assist them in knitting little penguin sweaters. Knit. I said it again.
  Why? The sweaters will keep the birds warm, and will stop them ingesting oil when they try to preen themselves. Knit.
  Apparently you can't mail sweaters to them anymore, but they still seem active as far as the oil situation goes, so check them out here
Knit.


Feo.

Sunday, November 20, 2011

Some People Can't See The Future


  My English teacher seems to have a view on innovative artwork quite different from my own. What other explanation is there to explain his reaction to the all-encompassing beauty of my latest work?
  So the other day we were preparing for our PATs in class, which are, in essence, tests to see how low the IQ of my province is that year. One of the things we're tested on is business letter writing. The old exam papers we were using to prepare for that aspect gave this topic: your name is Kim Rogers, and you must write a letter to this and that person at your local newspaper about how you lost your pet, and subsequently found it. BUT WAIT! THERE'S MORE! Apparently, your pet was found by the local animal shelter! So now you have some sort of unhealthy obsession with preaching the word of 'animal shelter' to the masses. Oh, and the shelter also offered (and there was strange emphasis on this) spaying and neutering services.
  I wrote the letter, and after class, read it to some people in my class. It was met with support. A musical adaptation was discussed. The next day, it turned out we had to hand in the letter. Uh-oh. With a beaming smile on my face, I handed in the paper as my classmates laughed knowingly.
  Fifteen minutes before the end of class, my teacher stands up, walks to my desk, and throws the paper on my desk.
  "Next time, write something."
  A silence hung in the room.
  "What's wrong with it?"
  "You could never actually send that. What was that?"
  "Weren't we supposed to concentrate on business letter form and not on content?'
  "But you didn't learn anything! It's some sort of bad joke!"
  I seriously don't know what I was supposed to learn. I learned how to address a letter - what else do I have to prove?
  I paused for a moment, "should I rewrite it?"
  "If you want any participation marks, then yes."
  And with a sigh, I rewrote the whole thing. In seven minutes. I walked to his desk and gave it to him.
After a minute or so, he came back to my desk and hands me the paper.
  "Why couldn't you just do exactly that...the first time?
  "I chose not to."

  This is what he didn't like:

PO Box 701
Mikmat AB T75 4D6
Happy Day, 1960

Lesley Thompson, Editor
The Wentworth News
8974 Elm Avenue
Larkville AB T8M 4Q4

Dear Professor Thompson:

Several days ago, my donkey escaped my care. I discovered that it had been spayed, neutered, and almost adopted at my local animal shelter. Luckily, the person adopting Grigorovski, my donkey, realized just in time that it wasn't, in fact, a South African wiener dog. Thus, I have been happily reunited with with a now spayed, neutered, and slightly effeminate Grigorovski.

Once Grigorovski had been returned to his attic at home, I went to learn more about the animal shelter. It turns out that the Holy Mother of Keanu Reeves Animal Shelter is a completely volunteer-run organisation that provides emergency animal care, lost pet services, and an adoption program. I would be a volunteer too, but my extreme killer bee-keeping schedule keeps me from doing so. That is why I write to you, Professor Lesley Thompson: the Holy Mother of Keanu Reeves Animal Shelter is in desperate need of volunteers. I believe that if you publish even a small article on the subject, a team of willing spayers and medical amateurs will show up standing on the doorstep of the shelter. That would seriously help the likes of Grigorovski and me.

Peace,
Kimshafandinsterisko (Kim) Rogers.

  The moral of the story is that if you're going to spend 15 minutes doing what you like to do, be able to do what everyone else wants you to do in 7 minutes. I got full marks.
  I still think the one above is far superior.

Peace,
Feo.

Saturday, November 12, 2011

Art and Today ('Wide Art')

 
Art is a very 'wide' concept. The art I'm discussing here is all of it. The widest of the wide. Every single form. And why am I discussing art? Because I want to.
  Let's go: I don't like art that deals with current events or anything political. Bam. I've told people that, and they don't like it. No sir, they don't. Here is my argument.
  Art based on events that have happened recently is, in my opinion, the weakest kind there is. These events touch us already. Take something like a massive natural disaster; we don't need art to make us emotional about it. We see the news, we hear the stories of pain and suffering. We feel for those people, even in the tiniest way. Putting art into the equation turns the whole thing into melodrama, a charade. The artist is using painful memories to add power to their work. Rather than using their own artistic power to move us, they feed off what we already have - that's a lack in ability.
  I'm not saying using our experiences to affect us is bad. I'm saying that manipulating events that have already been slammed in our faces by the media isn't the pinnacle of originality. The true beauty in great writers like Kurt Vonnegut and Shakespeare is that their works possess the ability to have us relate to current events without naming any. Take a look at "Slaughterhouse-Five". It was written in 1969, almost 25 years after World War II. And yet it not only vividly describes WWII, but also makes a powerful bridge to the events of today. The descriptions of destruction, patheity, and suffering apply today as much as they ever did.
   Consider "Romeo and Juliet". Some people love and respect it, some hate it. And yet what does it do? It conjures emotions. That's what artists should strive to have the ability to do: take a fairy-tale like "Romeo and Juliet", something that has absolutely nothing to do with anything going on right now, and make it touch us. For some people, it can connect their real world problems to those of the characters.
  Next topic: POLITICAL ART! OH YES. I think that art should never be political. While some consider that to be be the main purpose of it, to rally the people, I seriously disagree. That's what protests are for. Seriously.
  What I'm trying to say is that we should simplify. We should get to the core emotions of life rather than focus on specific events. So yeah. I like pie. See? That's a life-long emotion that shall never leave me. That's what art is all about.

Feo.

Remember.


  Life is short. That's been determined as a fact some time ago. Okay, so it might seem long at times, but in the end you have to make the most of whatever time you spend on this planet. So why is it that so many lose their precious time to war?
  I'm a day late for a Remembrance Day post, but you can never be a day late to remember. So today, no matter what day it is, remember that men, women, and children fought, fight, and will fight wars that didn't need to be. Will we ever have a world of peace? Today is not a day to ponder that. Today is a day to ponder how this lack of peace has affected everyone, no matter what side they're on, no matter what war touched them.
At 11:11:11 I was laying on bed listening to the radio as the station observed a minute of silence and then proceeded to play Imagine by John Lennon. As the last piano note ended, my favorite soldier called to say hi and to tell me that his friend died in Iraq recently. May Ottowa and Washington DC and every single person from sea to shining sea remember those that served, those that do serve, and all those that will come to serve to protect what we take for granted. Thank you.

-Mei Li

  I asked my friend Mei if I could post her Facebook status here. She said I could if I honoured the fallen soldier of whom Mei's friend spoke.
  So I ask that you consider First Lt. Dustin Vincent's death. He was 25. I can't even imagine the pain that so many feel for him. My brother is 25, too.  
  May Dustin Vincent be remembered and honoured, just as every other soldier who honestly fought for his or her country. May they all be remembered.


Feo.

  


Full Circle (And It Snowed That Night.)


Full Circle

All the ponds are freezing out.
Geese are tracing paths devout.
Leaves are falling to the ground,
It seems we’ve circled all around

Every morning a new sunrise
Follows nights, entreats our eyes.
Nights that are getting longer still,
Throwing frost on window sills.

And it’s getting colder now,
Less light in the day’s allow.
But when I see your eyes, your face,
Then I am warmed as if in grace.

Leaves are falling to the ground,
And we’ve circled all around.

October 2011

Sunday, November 6, 2011

The Chair and The Fire



~For a certain Madame Wilde.




The Chair and The Fire

  An amber sunset splashed across the fields of dying grass. Shades of light prairie blue broke through the clouds that rested on another day’s tired horizon. Gavyn Aubade’s dark grey car passed the streaking divider lines of the highway. The powerlines on the side of the road rolled in an up-and-down motion as the vehicle accelerated, not a shadow stopping the gold from enveloping it.
  Gavyn Aubade had worked as Benjamin Verdigris’ social worker for 3 months. Verdigris generally had a clear enough head, but it would cloud at moments, rendering him helpless enough. And so Gavyn would drive for some hour and a half every weekend to make sure everything was fine: gas was off, car not running in the garage, stuff like that.
  The car slowed as it passed a small house several dozen meters off the road. Gavyn’s hands crossed as he pulled the car into a 90 degree turn. The suspension compensated for the gravel road.
  Pebbles scattered and made a noise that sounded like a cross between autumn leaves cracking and fire being blown back to life as the car stopped near the house. The door opened and a pale white sneaker swung out, followed by another, followed by a pair of loose-fitting blue jeans, followed by a plain olive t-shirt, followed by Mr. Aubade’s face. He pushed the door shut and cracked on the gravel to the wooden porch. Gavyn knocked on the door, a fading white slowly turning to grey - a silence. He rapped with the sharps of his knuckles - another silence.
  Stepping off the porch, Gavyn walked over to the edge of the house dedicated to the garage and peered through a muted window. Benjamin’s pick-up was still inside. Then Benjamin definitely had to be in the house. There wasn’t another place to go for miles. He returned to the porch and tried the handle. The door gave with a squeak.
  The sunset illuminated the floating dust and cast shadows haphazardly around the main room of the one-story house. A draft sweeped in from the back room. As he stepped through the room, Gavyn heard a glassy snap at his feet. He looked down to find, in the evening shadow of a couch, a broken wine bottle. A roan liquid was soaked into the carpet around. This surprised him, as Benjamin had always insisted that he hadn’t drunk a drop in 10 years. He crouched and brought his head closer to get a better view of the peeling wine-stained label: Bordeaux-1974. Gavyn did some arithmetic in his head-Benjamin must’ve been in his mid-twenties at the time. He had been saving the bottle for something.
  Mr. Aubade looked up from the ruins of the bottle to see the source of the draft at the end of a hallway: the sliding glass door in the back room was completely open. Past the door was nothing but fields as far as the eye could see.
  Gavyn stepped through the steel door-frame and looked out at the burning horizon. Something at the bottom of his field of view caught his attention. There, coming straight from the door-frame, were footsteps and two strange, thin, evenly spaced out marks trailing behind the steps. Gavyn followed their progress into the field with his eyes. He decided to follow this trail.
  So he walked, and the sun spilled orange light onto the quietly swaying grass.
  So he walked some more, and the bottom tip of the sun began to fall through the horizon.
  So he walked more still, and the brightest stars of the night sky slowly began to appear.
  So his feet began to ache, and a dark blue glow crawled down from the top of the sky to the edge of the earth, leaving behind blackness and evermore stars.
  Gavyn checked his watch; he’d been walking for more than an hour. He started to turn to leave and call the police when he saw a hazy yellow glow in the distance. A plume of black smoke withered from the tiny dot. The steps and trail led to the haze. He halted in his turn and instead walked towards the yellow light.
  So he walked, and the glow started to increase in size.
  So he walked some more, and the light took on a flickering form. It was a small fire.
  So he walked more still and could see a human shape wrapped in the fire’s light.
  As he finally approached the fire, and the now clearly visible silhouette of a man sitting on a steel chair, he could hear the snapping of the flames.
  “I thought,” said Benjamin’s voice, “that you wouldn’t come this far to find me.”
  The silhouette gazed down into the fire.
  “You never seemed to quite care about me as long as the gas was off. Of course, that is your job, so who am I to complain? At least you made sure I didn’t set myself on fire. So I assumed you’d decide I’d disappeared, and would call the police. And then they would find me in the morning with a bullet through my head.”
  Still looking at the flames, he raised a hand in which shone a revolver, the fire’s light reflecting in its cold metal. Gavyn, who had, until this point, been standing startled by Benjamin’s voice, took one large step and plucked the revolver from Benjamin’s hand. Benjamin didn’t protest.
  “Jesus, Ben! What the hell were you going to do with this?”
  “What, with the gun?”
  “Yes, with the gun!”
  “I was going to take that gun,” the fire flickered in his ageing eyes, “and I was going to put it to the side of my head. And I was going to shoot myself.
  “Why the hell would you do that? Why would you drag a chair out into the middle of nowhere, start a campfire, and shoot yourself?” Gavyn shouted as he pocketed the revolver.
  Benjamin stood up and motioned towards the chair.
  “Here, sit down.”
  “Ben-“
  “Sit down,” said Benjamin with a subtle force that Gavyn had not heard before. He thought it wise to sit down, and so he did.
  Benjamin stood with his back to Gavyn and the fire, hands in his pockets.
  “You’ve seen all those pins and medals on the bookcase beside the T.V. in the house, right?”
  Gavyn vaguely remembered having passed his glance over them once.
  “Yes. Of course.”
  “I got those for killing people. I got those when I served in Vietnam. I was part of one of the few Canadian deployments sent there to enforce the Paris Peace Accords.
  “I’ve counted the number of lives I’ve taken. Four when our camp was ambushed by North Vietnamese troops. That’s when I got most of those medals. And then, in the last days that I was in Vietnam, we were performing a search-and-destroy on a small stronghold in a village held by the North. When we got to the centre of the village, there was a small gun nest armed by one man. My squad and I were pinned. I took a risk and peeked out from behind the building separating us from the nest. I got a good look as to where the gun was before the man started pinning us down again. After half a minute the racket stopped, so I stuck my rifle and head out, took one clean shot, and that was the end of it.”
  Benjamin made a noise; he was crying. He cupped his face in his hands.
  “Except that wasn’t the end of it. When we looked into the gun nest, there was a dead boy on the ground, a bullet through his left eye. I don’t know, or really care, why they left a little boy to man the nest, but they did. And I shot that kid clear through the head… I still see his bloody little face every night. And now, after all these years, I can see that his life was definitely worth ten of mine. So I decided to give at least part of the life he deserved back.
  “I tried to drink a good-bye glass of wine, but I couldn’t even see straight. The goddamn thing slipped and fell. Then I dragged the chair here and lit a fire. And I put the gun to my head and tried to pull the trigger.”
  Benjamin was sobbing.
  “But I couldn’t, because I’m a coward. I’m a fucking coward who shoots babies through their eyes.”
  He stood in silence, the tears dropping down his face. They shone in the flames’ gold. Benjamin fell to his knees and let out a single tearful roar. He looked up, breathing heavily, at the star-filled black sky from in-between his fingers.
  “I see him every night. Whenever I close my eyes, I see his beautiful, bloody, ruined face.”
  Gavyn said nothing. He stared into the fire. His eyes said nothing.
  They sat in silence until the sun started to rise through the blades of grass. Still looking into the ashes of the fire, Gavyn took a deep breath.
  “Let’s go?”
  “Yeah, let’s go,” said Benjamin, standing up.
  And so the two men walked through the field of dying grass, Gavyn Aubade dragging a chair, and Benjamin Verdigris looking down, seeing a dead boy’s face.

  Feo P-S
  November 5, 2011
  Photo: Claudia Wilde, http://lovelyandfree.tumblr.com/

Friday, November 4, 2011

It's Been A While (Let's Go.)


  Oh. I seem to have disappeared. Once again. Well, I'm back. Once again.
  It's that time of year. The sky has that 'deep blue fading into a light blue' tone. Not the 'deep blue fading into a pale atmospheric desert white' that you can see on a hot August beach in southern France. No, this is the 'clean air' blue; not a hint of humidity or haze in the air, just this crisp, icy air that's so sharp you could cut it with a knife.
  When I walked from school today, I couldn't feel my fingers. But that wasn't a bad feeling. It's the feeling that something is moving along, that we're actually going somewhere. I guess that's the general feeling of life: you can't feel your fingers, but you can feel something completely different passing you by. What would life be without movement, change, flow. What would life be without Winter?
  So let's go. Step out of the haze. Step into a world of sharp blue skies. Let's go.